Youll Never Work in This Town Again Meaning
 Front end cover of the offset edition (hardcover, Random House) | |
| Author | Julia Phillips |
|---|---|
| Country | United states |
| Language | English |
| Genre | Autobiography |
| Published | 1991 (Random Business firm) |
| Pages | 573 |
| ISBN | 978-0-394-57574-ii |
| OCLC | 21524019 |
| Dewey Decimal | 791.43/0232/092 B twenty |
| LC Grade | PN1998.3.P47 A3 1990 |
You'll Never Consume Tiffin in This Boondocks Again is an autobiography by Julia Phillips, detailing her career as a flick producer and disclosing the power games and debauchery of New Hollywood in the 1970s and 1980s. Information technology was start published in 1991 and became an immediate cause célèbre and bestseller. The book was reissued in 2002 later on the author's death.
Groundwork [edit]
In partnership with her husband Michael, Julia Phillips was one of the most successful film producers in Hollywood during the 1970s. Their second picture show, The Sting, grossed almost $160 million and won seven Academy Awards, making Julia the first adult female to win a Best Pic Oscar.[1] [two] Their 3rd film, Taxi Driver, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their most financially successful motion picture, Steven Spielberg's $300 million-grossing Shut Encounters of the Third Kind.
Notwithstanding, Julia had long indulged in a self-destructive lifestyle of excessive drug consumption, and it had begun to affect her piece of work. François Truffaut, one of French cinema's most iconic directors and a star of Close Encounters (playing "Claude Lacombe", a French government scientist in charge of UFO-related activities in the United states of america), blamed her for that motion picture's budget difficulties, and she was eventually fired during mail service-production because of her cocaine dependence.[iii] [4]
Phillips, past at present divorced, spent the following years on a downward spiral which included, past her own account, spending $120,000 on cocaine,[2] [five] before entering therapy to recover from her habit.[half dozen] Then, in 1988, having been out of Hollywood for 11 years, she sold all her assets to produce The Beat,[6] about a child in a tough neighbourhood trying to teach poetry to local gangs. Information technology was a critical and commercial disaster, grossing less than $five,000 at the box office,[7] and Phillips turned to penning her scathing memoir to escape her financial difficulties.[2] [viii]
Synopsis [edit]
The book begins past briefly introducing the reader to Phillips in 1989, before quickly travelling back to her childhood in 1940s Brooklyn.[9] Information technology then covers her early life and offset successes in the film industry: she and Michael earned $100,000 from their debut feature, Steelyard Blues, moved to Malibu, California, and had a girl, Kate.[8] The most notorious chapters follow as Phillips enjoys her greatest career successes, perhaps most infamously when she recalls the constructing of drugs she was nether the influence of on the night she won her Oscar ("a diet pill, a small amount of coke, two joints, six halves of Valium, and a glass and a half of wine").[2] [viii] [10] She also reveals the personal peccadillos and vices of the biggest Hollywood A-listers of the day, including Steven Spielberg, Martin Scorsese, Richard Dreyfuss, Goldie Hawn, and David Geffen. Many of these people were pivotal figures in the emergence of New Hollywood in the 1960s and '70s, but Phillips disparagingly refers to them as "a rogues' gallery of nerds".[half dozen] [11] Later episodes in her life, including freebasing, and her abusive human relationship with a violent drug addict which caused her to miss her ain mother'due south funeral, are also discussed candidly.[eight]
"No one ever claimed that [Phillips] had got Hollywood wrong in her book. In which instance, you accept to requite a little more than credence to the theory that Hollywood is prepared to let the society be run past raving egotists, indictable rascals, desperate addicts of one thing or several others, betrayers, connivers, hypocrites, and foul-mouthed swine. So long equally they are guys."
David Thomson, The Contained, xiii January 2002.[12]
Almost significant, from Phillips' own indicate of view, is her exposé of the "Boys' Club" in the college echelons of Hollywood, where she claimed information technology was her gender that led to her ultimate ostracism.[11] "If I had been a homo, they would have airtight ranks effectually me", she said, referring to her drug addiction. "They hated the woman thing. And I wasn't even regarded as a adult female, I was a daughter."[5] Writing almost her in The Contained in 2002, film critic David Thomson expressed Phillips' mental attitude as: "you [Hollywood] guys don't take women seriously; yous similar us around... [but] we aren't immune to exist players".[12] Those same few men, similar "Valley viper"[13] Mike Ovitz who headed the Artistic Artists Agency were, in her eyes, responsible for a qualitative pass up in standards and the increasing banality of movies since the 1970s.[four] [fourteen]
Reception [edit]
On its release most critics agreed that the book was both scandalous and career-ending. (Even with a quarter of the 1,000-page original manuscript excised,[eight] it took lawyers at Random House fourteen months to corroborate information technology for publication.[2] [6]) Lewis Cole, in The Nation, described it as existence "[not] written but spat out, a breakneck, formless performance slice...propelled by spite and vanity".[15] Newsweek's review called it a "573-page primal scream",[xvi] while one Hollywood producer said it was "the longest suicide note in history".[6] In the 2003 documentary version of Easy Riders, Raging Bulls, based on Peter Biskind's 1998 anecdotal history of New Hollywood, Richard Dreyfuss recalled his initial fury at Phillips' revelations, earlier more circumspectly listening to "a little voice within my caput [saying] 'Richard, Richard, the truth was so much worse'."[17] Despite Phillips' criticisms of Steven Spielberg in the volume, Spielberg yet invited her to a 1997 screening of Close Encounters of the 3rd Kind as a manner of "keeping his friends close and his enemies closer."[eighteen] Rapper Tupac Shakur misquotes the championship of the book in a Vibe interview in 1996, stating briefly that information technology was ane of the books he read recently. "You'll Never Piece of work Again in Hollywood, whatever that is that they're talking about, all the people that slept together." [19]
After Phillips' decease from cancer in 2002 the book was reissued in paperback by Faber and Faber,[20] and gained renewed attending. Tim Appelo wrote in his Salon.com tribute that it was "mordant, merciless, [and] outdid Capote in shrieking truth to corrupt power",[21] while David Thomson of The Contained praised information technology every bit "compulsive, hilarious entertainment".[12] [ dead link ]
Commercially, Phillips' memoir became an enormous success. It quickly moved to the superlative of the New York Times Non Fiction Best Seller list and stayed at No. 1 for thirteen weeks.[22] [23] Additionally, several prominent Los Angeles bookstore owners reported it to be the fastest-selling book they had e'er seen.[8] [13] Just Phillips was excoriated by Hollywood, and her autobiography'due south publication cost her the chance to accommodate Anne Rice'due south Interview with a Vampire with David Geffen.[5] [8] [24] Furthermore, in an example of life imitating fine art, pre-eminent Los Angeles eating house Morton'south fulfilled the book'due south titular prediction by declining her future patronage.[2] [5]
Soon before her death, when asked if she had been likewise cruel in her writing, Phillips replied, "We all have our standards. People behaved in an ugly and despicable fashion towards me. I felt no constraints. Cipher I did in my book is as mean as any of the people I wrote nearly."[2] [half dozen] She was similarly unrepentant about her subsequent expatriation, saying, "I wasn't a pariah because I was a drug-addicted, alcoholic, rotten person and not a expert mother. I was a pariah considering I hitting them with a harsh, fluorescent light and rendered them as contemptible equally they truly are."[2] [6]
References [edit]
- ^ "Oscar-winner Phillips dies". BBC. January 3, 2002.
- ^ a b c d e f one thousand h Weinraub, Bernard (Jan three, 2002). "Julia Phillips, 57, Producer Who Assailed Hollywood, Dies". The New York Times.
- ^ McBride, Joseph (1997). Steven Spielberg: A Biography . New York City: Simon & Schuster. pp. 528. ISBN978-0-684-81167-3.
- ^ a b Hodgman, George (March 22, 1991). "You'll Never Eat Lunch in This Town Again – Book Review". Entertainment Weekly.
- ^ a b c d Friedman, Roger (Apr 12, 1991). "Without Reservations". Amusement Weekly (61).
- ^ a b c d e f g Vallance, Tom (January 5, 2002). "Julia Phillips – Obituaries, News". The Contained. UK. Archived from the original on Feb 4, 2011. Retrieved September 19, 2017.
- ^ "The Beat (1988)". Yahoo! Movies. Archived from the original on March six, 2007.
- ^ a b c d due east f grand Wadler, Joyce (March eighteen, 1991). "A Hollywood Outcast Treats the Stars to An Acid-Dip Memoir". People magazine. 35 (10).
- ^ Turner, Caroline (Dec 31, 2002). "Review: You'll Never Eat Lunch in this Town Again". M2 Best Books.
- ^ "Aureate fever: Oscar night – and how to enjoy it". The Guardian. UK. March 17, 2000.
- ^ a b Benatar, Giselle (Nov 16, 1990). "'Lunch' Dish". Entertainment Weekly (40).
- ^ a b c Thomson, David (Jan thirteen, 2002). "Film Studies: Lunch will never exist the aforementioned in that town over again". The Independent. UK. Archived from the original on June 14, 2010.
- ^ a b Rohter, Larry (March 14, 1991). "Hollywood Memoir Tells All, And Many Don't Desire to Hear". The New York Times.
- ^ Bach, Steven (March 17, 1991). "Hollywood Chainsaw Massacre". The New York Times.
- ^ Cole, Lewis (June 1991). "You'll Never Eat Luncheon in this Boondocks Again (book reviews)". The Nation.
- ^ Foote, Donna (March 25, 1991). "The Bad And Not So Beautiful". Newsweek.
- ^ Ansen, David (May viii, 2003). "That '70s Movie". Newsweek.
- ^ Dubner, Stephen J. "Steven the Adept".
- ^ "Tupac Shakur: The Lost VIBE Interview (May '96)". Vibe.com.
- ^ You'll Never Swallow Dejeuner in This Boondocks Again (Paperback). ASIN 0571216234.
- ^ Appelo, Tim (January 17, 2002). "Julia Phillips, queen of the night". Salon.com. Archived from the original on October 27, 2008.
- ^ "Adult New York Times Best Seller Lists for April seven, 1991" (.pdf). Hawes Publications.
- ^ "Adult New York Times Best Seller Lists for June 23, 1991" (.pdf). Hawes Publications.
- ^ Jacobs, Alexandra (June 7, 1996). "Truth and Consequences". Entertainment Weekly (330).
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Source: https://en.wikipedia.org/wiki/You%27ll_Never_Eat_Lunch_in_This_Town_Again
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